Drumbeats roll, thick pulses of
sound bouncing off dirt, cement, and tin. Plastic jerry cans vibrate with the
pounding rhythm of calloused hands. Echoes of tribal culture fill the sanctuary.
A peculiar instrument dances between
a boy’s thumbs and index fingers. Its body consists of a flattened tin can,
pierced through and through with tiny holes. Its gut is filled with stones of
particular shapes and sizes, along with a very specific type of goat droppings.
This is a noisemaker like no other. (“Just be sure not to get it wet,” the boys
tell us.) As it shakes, the people find their “moves” for the song. Arms swing
back and forth, feet shuffle from side to side, fingers snap, heads bobble, and
shoulders dance.
The voices of the tribesmen scale
high and low with incredible ease. Toposa men take delight in the rapid ascent
and descent of soprano and bass-level tones. Their male vocal range should be
the eighth wonder of the world.
A small group of young men stands
at the front of the church, a new song rising from their lips. Its lilting tune
provides a perfect background for the message being carried.
“Choose who you will serve. Choose who to serve! I will trust God alone.
Choose who you will serve. Choose who to serve! We will do the work of the Lord.
Choose who you will serve. Choose who to serve! We will follow the Lord’s path.”
Congregants perk up with the sound of a new song in their mother tongue. Little children strain their ears to catch all the words. They mouth the lyrics softly as the boys repeat the chorus again and again.
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Oral cultures claim singing as a
prominent art form, being a means of both learning and leisure. In Toposaland,
however, singing is not just prominent but primary.
We’ve learned this firsthand as our Story circles have become more and more
centered around the art. Whereas April and I thought we could open the time with
worship and prayer, beginning the Story and discussion time within a half hour
or so, the young men had a different schedule in mind. Though they were eager
to hear the Story, they could hardly contain their enthusiasm for worship,
singing for an hour or more before finally winding down.
One night, after discussing the
Story of Elijah vs. The Baal Worshippers and introducing the challenge
presented in Joshua 24:15, the boys became excited at the thought of writing a
song to help them remember. We witnessed the inspiration of the Spirit in their
hearts as, literally, within moments a new song (the one written above) was
birthed in their midst. They liked the words and tune so well that they began
exclaiming, “Hey! This is a very good song!” We prayed and thanked God for it,
then asked the boys to teach the song to the school kids the following morning.
With eager anticipation, they agreed to do so.
When we gathered for Storying a
couple nights later, one of the boys whispered, “Longoko is making songs. Will
you look at them?” They handed us a crumpled piece of notebook paper on which
were painstakingly written seven short excerpts from the book of Psalms. Longoko
had done his homework with an English Bible, choosing verses which he believed
the Toposas would really like. He soon began singing for us two of the songs
for which he’d already composed melodies. The group was ecstatic, quickly
picking up the tunes and joining in.
A few days passed and, on a
weekday afternoon, a young girl came to our door with another piece of paper in
her hand. “Douno and Lopua have written songs,” she told us. “They want you to
look at them.”
That night, we asked the boys to
teach us their songs. Lopua introduced his:
“Jesus died on the cross because of my sins.
Jesus, the Son of God, the Son of Man.
Jesus, my Savior! Jesus, my Savior!
Jesus Christ, Mighty God.
No one is above You, Mighty Lord.”
His melody was beautiful, having
a distinctly tribal “swing” to it. The song would lodge itself in our heads
that night and follow us until…this very evening, in fact, at which point we
still find ourselves singing and humming it at random. :)
We are sincerely praising God for
giving several of the young men the passion and ability to write songs. Our
prayer is that these songs will be a vital instrument for sharing God’s Book
with the villagers, for memorizing Scripture, and for recalling to mind certain
Stories and Biblical events from which we can all continue learning. Pray with us that the eyes of the young men
will continue opening to the importance of writing Scripture songs in their
mother tongue as a vehicle by which to transport the Gospel.
“God is giving us the power to write these songs! We are thanking Him
daily.” – Lopua
Young men showcase another art form of their oral culture - Drama. Pictured above is a scene from the Story of Peter and John out of Acts 3 and 4. |
This is so beautiful it gives me the shivers. Praise God, praise God.
ReplyDeleteI'm familiar with how missionaries originally taught nationals to stop singing in their familiar tones and start singing in the foreign sound of Western tones. The intentions were good--teaching them gospel songs--but too culture-oriented instead of Christ-oriented. When national Christians began writing their own songs, the fusing of the gospel with their culture infused the songs with an energy and beauty never seen before. This is a fantastic example. God bless you, and we're praying for you!